Another Country

Another Country – Eine Andere Welt

Exhibition curator: Ovul Durmusoglu

ifa-Galerie Stuttgart 30th April- 27th June 2010

ifa-Galerie Berlin 22nd October- 23rd January 2011

Participating works by Matilde Cassani, Cevdet Erek, Koken Ergun, Javier Hinojosa, Ashley Hunt, Jumana Manna, Dubravka Sekulic

Home Works 5

Rulers and Rhythm Studies




Exhibitions, Lectures, Panels, Performance, Dance, Theatre, Music, Film, Video, Publications

Beirut, April 21 – May 1, 2010

Exhibitions will run until May 22nd, 2010
Curated by Ashkal Alwan
Ruanne Abou- Rahme & Basel AbbasContingency
Ayreen AnastasThus I spoke, and ever more softly: for I feared my own thoughts and hinterthoughts
Marwa ArsaniosAll About Acapulco
Vartan AvakianShortWave/LongWave
Broomberg & ChanarinChicago
Decolonizing ArchitectureOush Grab (Crow’s Nest)
Cevdet ErekRulers and Rhythm Studies
Shahab FotouhiDirect NegotiationCan I Speak to the Manager?
Ghassan HalwaniCumbersome Machine: Between the Nonsense & the Archive
Amal IssaNever-eat-y of the Fallen Rifle
Bengü KaradumanIn Place of Silent Words
Hassan KhanCONSPIRACY (dialogue/diatribe)
Maha Maamoun2026
Christodoulos PanayiotouPrologue: Quoting Absence
Marwan RechmaouiC60
Raed Yassin | Disco Tonight
Ala’ Younis | Tin Soldiers

Show: Tactics of Invisibility

above, installation

below, sketch

Sky ornamentation with 3 sounding dots and anti-pigeon net

Sky ornamentation with 3 sounding dots and anti-pigeon net

Site specific installation
Courtesy of the artist
Commissioned by Thyssen-Bornemisza Art Contemporary, Vienna and Vehbi Koç Foundation, Istanbul

Presentation by Gudrun Ankele:

Cevdet Erek’s commissioned installation in the courtyard of the baroque Palais Erdödy-Fürstenberg in Vienna combines sound and architecture as to means of organizing space as well as of decoration. One reference for his work is Adolf Loos’s notorious essay “Ornament and Crime” (1908), in which he explored the idea that the progress of culture is associated with the deletion of ornament from everyday objects and architecture. The clear grid of the net floating above the small courtyard is being combined with three white squares, which contain extremely flat loudspeakers. This material ornamentation is being punctuated by a 3-channel sound piece titled 3, which is structured by basic variations on a ¾ beat. Each of the directional speakers thus produces an immaterial soundspace of its own, which overlaps at its edges with the following one. By walking through the courtyard, the audience can experience an ever-changing, progressing space that combines visual and auditive levels of the sensible, striped bare of all referential signs. Sky ornamentation with 3 sounding dots and antipigeon net is using the presence of music and the materiality of the pigeon net to produce an aesthetic experience which can be understood as an (ironic) experiment in non-referential, non-representational beauty.

Cevdet Erek, 1974 born in Istanbul, lives and works in Istanbul