Bergama Stereo – Hamburger Bahnhof

19.10.2019 – 08.03.2020
Bergama Stereo – Hamburger Bahnhof  Continue reading

Shows and performances 2019-2020



27.02.2020–30.12.2020
Bergama Stereotip, ARTER, Istanbul
26.10.2019 – 17.02.2020
Soft Power, SFMOMA, San Francisco Museum of Modern Art, USA
19.10.2019 – 08.03.2020
Bergama Stereo, Hamburger Bahnhof, Berlin
24.08.2019 – 29.09.2019
Bergama Stereo, 5. Ruhrtriennale, Jahrhunderthalle, Bochum, Germany
19.06.2019 – 08.09.2019
Big Orchestra, Schirn Kunsthalle, Frankfurt
07.06.2019 – 29.09.2019
Crack Up – Crack Down, 33. Biennial of Graphic Arts, Ljubljana, Slovenia
06.06.2019 – 15.09.2019
Amberes – Roberto Bolaño’s Antwerp, M HKA Museum of Contemporary Art Antwerp, Antwerp
28.02.2019 – 24.06.2019
chiçiçiçichiciçi, Art Institute of Chicago, USA
01.11.2018 – 10.12.2018
Radiophonic Spaces, Haus der Kulturen der Welt, Berlin

Bergama Stereo – Ruhrtriennale 2019

24.08.2019 – 29.09.2019
Bergama Stereo  – Ruhrtriennale, Bochum

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chiçiçiçichiciçi – Art Institute Chicago

UPDATE!!! Extended until 23th of June 2019!!!
28.02.2019 – 21.04.2019
chiçiçiçichiciçi is a performance and installation that is the first of the Iterations series that was commissioned by the Art Institute of Chicago. 

Radiophonic Spaces

Radiophonic Spaces
26.07.2019 – 19.09.2019
Bauhaus University, Weimar, Weimar
01.11.2018 – 10.12.2018
Haus der Kulturen der Welt, Berlin
23.10.2018 – 27.01.2019
Museum Tinguely, Basel

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Ruler and Rhythm studies – Lydgalleriet, Bergen

 

11.05.2018  – 03.05.2018
Ruler and Rhythms studies, Lydgalleriet, Bergen

 

ÇIN Book

ÇIN Book released 27 February 2018

ÇIN
Book published at the occasion of the installation at the 57th Venice Biennale.
Published by Yapı Kredi, photopgraphs by Ali Kabas and design by Yetkin Başarır

AAAA – M HKA, Antwerp

 

 

click here for info at M HKA website

 

A Long Distance Relation – MUAC, Mexico

 

MUAC

 

A long distance relation MUAC, México City, Mexico

 

ÇIN, Pavilion of Turkey / Türkiye Pavyonu, 57. Venice Biennale / 57. Venedik Bienali, 13.05.2017 – 26.11.2017, book and record soon / kitap ve plak pek yakında

 

ÇIN, Cevdet Erek, 2017, Architectural intervention and 35 channel sound. Wood, scaffolding, iron, wire fence, fabric net, directional loudspeakers, computer, light. Dimensions and durations variable
/
ÇIN, Cevdet Erek, 2017, Mimari müdahale ve 35 kanal ses. Ahşap, iskele sistemi, demir, tel örgü, kumaş ağ, yöneltmeli hoparlörler, bilgisayar, ışık. Değişken boyutlar ve süreler

http://pavilionofturkey17.iksv.org/cevdet-erek

http://www.e-flux.com/announcements/94421/cevdet-erekin/

Davul LP, June 23rd


“Cevdet Erek – Davul” will be released on June 23rd, via Subtext Recordings. Comprising extracts culled from hours of solo drum improvisations recorded over two days in Berlin, ‘Davul’ features no editing or overdubbing.

Press conference: ÇIN, at Pavilion of Turkey at the 57th Venice Biennale, 13.05.2017 – 26.11.2017

cevdet_gif.gif

“ÇIN, a new work by Cevdet Erek, will be presented in the Pavilion of Turkey at the 57th Venice Biennale, to be held from May 13 through November 26, 2017. Organised by the Istanbul Foundation for Culture and Arts (İKSV), the Pavilion of Turkey is located at Sale d’Armi, Arsenale, in the main venue of the biennale.

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,

çok şiddetli olaylar dizisinin ortasında biraz önce yaşanan sarsıntı bir öncekini geçmişe itip hikaye aygıtına dizinin devamını kurdururken tarih ile kalıntılar üzerinden uzak geçmişe gidiyoruz savaş ile ölümün yönettiği anlatı aracılığıyla bir yandan komşuları uzaklardan gelen pavyonu hayal ediyoruz uzaktan benzerleri ve simülasyonları üzerinden içinde kulakları tıkamadan hareket edermiş gibi yeni sarsıntıyla sıfırlandıktan sonra bu yazının son kayıtlı halini açıyoruz (sessizlik) 16 Ocak 2017

in the midst of a series of events displaying great intensity and as the most recent jolt thrusts the previous one further into the past and the fabricator of tales conjures up the next part in the series, we travel into the distant past via history and remains and by way of a narrative ruled by war and death, as we imagine — from a distance, and on the basis of likenesses and simulations — the pavilion with neighbours from afar as though we were moving inside it without covering our ears after being reset with a new jolt we open the latest recorded version of this file (silence) 16 Jan 2017

(Turkish to English translation: Nazım Hikmet Richard Dikbaş)