SSS
How to imitate the sound of the shore using two hands and a carpet
Published by Sternberg Press
ÇIN Book
Cevdet Erek, ÇIN, Book published at the occasion of the installation at the 57th Venice Biennale, Photo by Ali Kabas
Cevdet Erek, ÇIN, Book published at the occasion of the installation at the 57th Venice Biennale, Photo by Ali Kabas
Cevdet Erek, ÇIN, Book published at the occasion of the installation at the 57th Venice Biennale, Photo by Ali Kabas
Cevdet Erek, ÇIN, Book published at the occasion of the installation at the 57th Venice Biennale, Photo by Ali Kabas
Cevdet Erek, ÇIN, Book published at the occasion of the installation at the 57th Venice Biennale, Photo by Ali Kabas
Cevdet Erek, ÇIN, Book published at the occasion of the installation at the 57th Venice Biennale, Photo by Ali Kabas
ÇIN Book released 27 February 2018
ÇIN
Book published at the occasion of the installation at the 57th Venice Biennale.
Published by Yapı Kredi, photopgraphs by Ali Kabas and design by Yetkin Başarır
AAAA – M HKA, Antwerp
Cevdet Erek, AAAAA. Installation view at M HKA. Photo by Christine Clinkx
Cevdet Erek, AAAAA. Installation view at M HKA. Photo by Christine Clinkx
Cevdet Erek, AAAAA. Installation view at M HKA. Photo by Christine Clinkx
Cevdet Erek, AAAAA. Installation view at M HKA. Photo by Christine Clinkx
Cevdet Erek, AAAAA. Installation view at M HKA. Photo by Christine Clinkx
Cevdet Erek, AAAAA at M HKA, Antwerp.
click here for info at M HKA website
A Long Distance Relation – MUAC, Mexico
Cevdet Erek, Summer/Winter Ruler, A Long Distance Relationship 2017, MUAC, Photo by Oliver Santana
Cevdet Erek, Measures Taken, Part of the exhibition A Long Distance Relationship 2017, MUAC, Photo by Oliver Santana
Cevdet Erek, A Long Distance Relationship 2017, MUAC, Photo by Oliver Santana
Cevdet Erek, A Long Distance Relationship 2017, MUAC, Photo by Oliver Santana
Cevdet Erek, Close Far Close a performance with Ivan Manzanilla as part of the exhibition A Long Distance Relationship, 2017, MUAC, Photo by Oliver Santana
Cevdet Erek, Quincena, A Long Distance Relationship 2017, MUAC, Photo by Oliver Santana
A long distance relation , MUAC, México City, Mexico
kendini tekrar etmek için / to repeat oneself, ÇIN
(english below)
kendini tekrar etmek için
kapılar arasında
boşluk bırak
komşu devletler arasında
en kısa mesafe
-transit-
uluslararası rota üzerinde
hızlı yolcu
bu kentin maratonu,
köprülerin üzerindeki
iskele rampalardan
hareketi örnek al
ÇIN, Pavilion of Turkey / Türkiye Pavyonu, 57. Venice Biennale / 57. Venedik Bienali, 13.05.2017 – 26.11.2017, book and record soon / kitap ve plak pek yakında
ÇIN, Cevdet Erek, 2017. Photo by RMStudio
ÇIN, Cevdet Erek, 2017. Photo by RMStudio
ÇIN, Cevdet Erek, 2017. Photo by RMStudio
ÇIN, Cevdet Erek, 2017. Photo by RMStudio
ÇIN, Cevdet Erek, 2017. Photo by RMStudio
ÇIN, Cevdet Erek, 2017. Photo by RMStudio
ÇIN, Cevdet Erek, 2017, Architectural intervention and 35 channel sound. Wood, scaffolding, iron, wire fence, fabric net, directional loudspeakers, computer, light. Dimensions and durations variable
/
ÇIN, Cevdet Erek, 2017, Mimari müdahale ve 35 kanal ses. Ahşap, iskele sistemi, demir, tel örgü, kumaş ağ, yöneltmeli hoparlörler, bilgisayar, ışık. Değişken boyutlar ve süreler
Davul LP, June 23rd
“Cevdet Erek – Davul” will be released on June 23rd, via Subtext Recordings. Comprising extracts culled from hours of solo drum improvisations recorded over two days in Berlin, ‘Davul’ features no editing or overdubbing.
Press conference: ÇIN, at Pavilion of Turkey at the 57th Venice Biennale, 13.05.2017 – 26.11.2017
“ÇIN, a new work by Cevdet Erek, will be presented in the Pavilion of Turkey at the 57th Venice Biennale, to be held from May 13 through November 26, 2017. Organised by the Istanbul Foundation for Culture and Arts (İKSV), the Pavilion of Turkey is located at Sale d’Armi, Arsenale, in the main venue of the biennale.
,
çok şiddetli olaylar dizisinin ortasında biraz önce yaşanan sarsıntı bir öncekini geçmişe itip hikaye aygıtına dizinin devamını kurdururken tarih ile kalıntılar üzerinden uzak geçmişe gidiyoruz savaş ile ölümün yönettiği anlatı aracılığıyla bir yandan komşuları uzaklardan gelen pavyonu hayal ediyoruz uzaktan benzerleri ve simülasyonları üzerinden içinde kulakları tıkamadan hareket edermiş gibi yeni sarsıntıyla sıfırlandıktan sonra bu yazının son kayıtlı halini açıyoruz (sessizlik) 16 Ocak 2017
in the midst of a series of events displaying great intensity and as the most recent jolt thrusts the previous one further into the past and the fabricator of tales conjures up the next part in the series, we travel into the distant past via history and remains and by way of a narrative ruled by war and death, as we imagine — from a distance, and on the basis of likenesses and simulations — the pavilion with neighbours from afar as though we were moving inside it without covering our ears after being reset with a new jolt we open the latest recorded version of this file (silence) 16 Jan 2017
(Turkish to English translation: Nazım Hikmet Richard Dikbaş)
@Beirut, visiting professor at Ashkal Alwan’s Home Workspace Program 2016-2017
Home Workspace Program, Ashkal Alwan, Beirut, photo: me
Head Above Water: Workshops taught by Visiting Professors Lawrence Abu Hamdan, Cevdet Erek, Maha Maamoun, Lina Majdalanie and Metahaven with Seminar modules: Listening, seeing, writing, moving | Histories of the artist | Technologies, life and the future | Financialization
Honey/Bal (2016) + Day/Gün (2012) @ to bee or not to bee
“To bee or not to be” Cevdet Erek (TR), Peter Friedl (AT), Bethan Huws (UK), Oslo Apiary & Aviary (NO), Oliver Ressler (AT), Alessandro Sau (IT), Anders Smebye & Vikram Uchida-Khanna (NO), Jennifer Teets (USA), Johannes Wohnseifer (DE)
“To bee or not to be” Cevdet Erek (TR), Peter Friedl (AT), Bethan Huws (UK), Oslo Apiary & Aviary (NO), Oliver Ressler (AT), Alessandro Sau (IT), Anders Smebye & Vikram Uchida-Khanna (NO), Jennifer Teets (USA), Johannes Wohnseifer (DE)
“To bee or not to be” Cevdet Erek (TR), Peter Friedl (AT), Bethan Huws (UK), Oslo Apiary & Aviary (NO), Oliver Ressler (AT), Alessandro Sau (IT), Anders Smebye & Vikram Uchida-Khanna (NO), Jennifer Teets (USA), Johannes Wohnseifer (DE)
“To bee or not to be” Cevdet Erek (TR), Peter Friedl (AT), Bethan Huws (UK), Oslo Apiary & Aviary (NO), Oliver Ressler (AT), Alessandro Sau (IT), Anders Smebye & Vikram Uchida-Khanna (NO), Jennifer Teets (USA), Johannes Wohnseifer (DE)
Honey/Bal (2016) + Day/Gün (2012) at the exhibition ‘to bee or not to bee’ – Punkt Ø
57. Venedik Bienali / 57th Venice Biennale, 2017
from IKSV press release, english below:
“Venedik Bienali 57. Uluslararası Sanat Sergisi Türkiye Pavyonu’nda Cevdet Erek’in projesi yer alacak
13 Mayıs-26 Kasım 2017 tarihlerinde gerçekleştirilecek Venedik Bienali 57. Uluslararası Sanat Sergisi’nin Türkiye Pavyonu’nda sanatçı Cevdet Erek’in projesi sergilenecek. Koordinasyonunu İstanbul Kültür Sanat Vakfı’nın yürüttüğü sergide, Cevdet Erek’in birlikte çalışacağı proje ekibi önümüzdeki aylarda açıklanacak.
//
The Pavilion of Turkey to present a project by Cevdet Erek at the 57th International Art Exhibition – La Biennale di Venezia
A project by artist Cevdet Erek will be presented at the Pavilion of Turkey at the 57th International Art Exhibition – La Biennale di Venezia, to be held between 13 May and 26 November 2017. The Pavilion of Turkey is organised by the Istanbul Foundation for Culture and Arts (İKSV). The project team that Cevdet Erek will collaborate with will be announced in the proceeding months.”
Frenzy Plak/Vinyl!
(english below)
Abluka filminden parçaların bulunduğu plak “Frenzy” bugün İngilitere’de Subtext tarafından yayınlandı! Yakında burada bazı dükkanlara da geleceğini umuyoruz, duyuracağız.Subext’ten edinmek için:
http://subtextrecordings.net/STORE
Bandcamp’ten dijital dinlemek ve edinmek için:
https://cevdeterek.bandcamp.com/al…/abluka-frenzy-soundtrack
Frenzy is released by Subtext in UK today!
It includes extracts from the soundtrack to the political
thriller Frenzy, winner of the Special Jury Prize at the
2015 Venice Film Festival.
To get it directly from Subtext:
http://subtextrecordings.net/STORE
To listen and get digital via Bandcamp:
http://subtextrecordings.net/STORE
20. Sidney Bienali / 20th Biennale of Sydney
Cevdet Erek, Room of Rhythms – Long Distance Relationship, 2016. Installation view (2016) at Cockatoo Island for the 20th Biennale of Sydney mixed media, architectural additions, dimensions and duration variable. Courtesy the artist. Created for the 20th Biennale of Sydney Photograph: Ben Symons
Cevdet Erek, Room of Rhythms – Long Distance Relationship, 2016. Installation view (2016) at Cockatoo Island for the 20th Biennale of Sydney mixed media, architectural additions, dimensions and duration variable. Courtesy the artist. Created for the 20th Biennale of Sydney Photograph: Ben Symons
Cevdet Erek, Bir Ritim Mekanı – Uzak Mesafe İlişkisi, 2016. 20. Sidney Bienali’nde Cockatoo Adası’ndan yerleştirme görüntüleri (2016). Karışık medya, mimari eklemeler, boyutlar ve süre değişken. 20. Sidney Bienali için üretildi. Fotoğraf: Ben Symons
Cevdet Erek, Room of Rhythms – Long Distance Relationship, 2016. Installation view (2016) at Cockatoo Island for the 20th Biennale of Sydney mixed media, architectural additions, dimensions and duration variable. Courtesy the artist. Created for the 20th Biennale of Sydney Photograph: Ben Symons
Kamin Feuer (mit Beat) / (Ritimli) Soba Ateşi / Fireplace Fire (with beat)
Cevdet Erek, Winter Ausstellung – Kis Sergisi, 2016, Kasseler Kunstverein. Photo by Nils Klinger
Cevdet Erek, Winter Ausstellung – Kis Sergisi, 2016, Kasseler Kunstverein. Photo by Nils Klinger
Cevdet Erek, Winter Ausstellung – Kis Sergisi, 2016, Kasseler Kunstverein. Photo by Nils Klinger
Cevdet Erek 